A candle dims
Late at night
Or elsewhere in some greater light
And either serves to give men sight
But we
All die away
Eventually
So let this wick, so small and frayed
Burn away and be unmade
I fade
I’ll gladly fade
Fade from view
And trade what I love for what is true
Less of me and more of you
I fade
Jesus is the light
Jesus is the light
And he has made me a mirror
Reflecting his good face
Jesus is the light
Jesus is the light
And he can make you a mirror
By his perfect grace
Yes he can make you a mirror
By his perfect grace
credits
from Refulgence,
released June 17, 2011
Robert W. Brown, Jr. - Vocals and all instruments
Tasha Nichole - Vocals
This is the most beautiful symphonic progressive music I have heard since I first heard Yes' Magnification nearly 20 years ago. Robert Reed's orchestrations are magnificent, and are very much on par with Trevor Rabin's film scores as well as Larry Groupe's score for Magnification. I am a french horn player, and his soaring horn parts are some of the best I have ever heard.
For some reason I could not select Part1: Sacrifice as my favorite track. It is indeed my favorite. luckeydoug1
The Long Island metal band's third album etches arena-sized hooks into their jagged compositions, deftly balancing experimental and poppy inclinations. Bandcamp Album of the Day May 12, 2022
This US-American band, which owes its contradictory name to a photomontage created by George Logan, is usually compared to "Rush"... well, no, I don't agree... While there are undoubtedly some typical "Rush" chords and sounds, I think the music has much more in common with 80's neo-prog bands like IQ. And just like the latter, those imaginary Scottish elephants don't lose much time with silly riffs and interludes, but get straight to the point in their songs, with much attention to detail. Sven B. Schreiber (sbs)